To sleep, perchance to dream
It would be cliché to say that it was all a blur; to say
that all the instruments seemed to flare to life at once; to say that he,
Richard Finn, could not respond.
His hands were before his eyes, fluctuating in and out of
focus as he pulled his screaming spine backward. Heavy grey shapes clung to the
windows, pressing down, leering at the two men. The darkness clogged his
eyelids as Richard tried to eliminate the echoing flash of lightning that blinded
him. Everything was drained of its correct colour, the flashing emergency
lights an eerie pink, the four stripe epaulettes upon his sleeve a diminishing
vanilla. He sank against the cool hard leather back of his pilot’s seat, and tried
to breathe through his nostrils.
The distant echo of his daughter’s laughter tangled with the
muffled silence in his ears. Nothing connected.
Faintly, the flickering altimeters reminded him of something
he saw in a textbook once.
He felt the soft smile of his wife lingering in the sunshine
as she chattered to the neighbours, the Almantises from Florence. Nothing
connected.
Faintly, he could see the strained face of his first
officer, a freshly qualified young man called Stephen, speaking to ATC. But Richard
could not hear the words beyond a blur of sound.
He smelt the memory of an Irish tea, sweet, with a dash of skim
milk, the faint press of flush crimson lipstick painted on the lip of the
teacup. But that didn’t connect either.
‘…one.’ Something from a textbook.
‘Captain…’ A textbook about aeroplanes, ‘…hear me?’
The other man’s hands were everywhere, assessing the damage,
his lips moving silently but rapidly. Another blinking red light winked into
existence, and Stephen swallowed, taking a deep breath, as Richard watched, and
his lips moved slower than before. Slow, but fast - URGENT.
‘Cabin crew prepare…emergency...’ Richard closed his eyes tightly, wincing at
the exhausted pain behind them. A faint green echo shone in the blackness. His
heartbeat quickened. There was a dull ache in his forehead. Richard’s hands crept
forward reflexively.
‘I have control, Stephen.’
The darkening clouds rumbled, the deep resonance rolling a
depression in the atmosphere. Richard watched as the carburettor indicator fired
into action, joining the cacophony of recorded warnings. They were rapidly
losing altitude.
‘Sir, we’re flying one-engine.’ Plummeting. Yet the clouds did not thin.
Richard pushed the A318 into preparations for emergency
landing, cursing the two useless turbine engines dragging them down hard. He
needed to see the ground. Chaotic
sensors screamed. But even on the ground, Richard was not in control. The
clouds wouldn't move.
A cyclone battered mercilessly against the hull of the
smallest Airbus member. The yoke jerked beneath his white knuckles, shuddering.
The jolts ran along his body, rooting to his toes, forcing him to struggle, to
scream, to MOVE.
“Get out of my house,
Richard.” She turned her back on him, as if equal and opposite forces would
push him away, out the door.
No, no, it didn’t connect to anything.
The recorded warning was no longer intelligible above the
noise of the jet’s shuddering. Stephen had gone pale beside him, frantically requesting
weather reports, weather reports, weather reports on approach. ATC, a bloke
named Kevin, his voice was quiet. He calmly told them about the 58 mph crosswinds
on approach.
“Look out, mate, she’s
gusting to ten. Sure you want to brave this storm?” Carl was saying, standing
in the driveway with his car keys hanging loosely from his index finger where
it swung back and forth like a pendulum. Hypnotic in its deceptive uselessness.
An instant in the wind, suspected multiple bird strikes, hydraulics
malfunction, multiple engine failure, carburettor failure, altimeter failure, anti-icing
failure, failure, failure…failure… fail…ure…
“Pull up. Pull up. Pull up.” The recorded warning announced
cheerily, carelessly.
An image of a sharp woman with a clipboard, sighing, as he
stared at a point above her head, vanished. It seemed to connect, but then it
didn’t.
‘Flaps 30, full reverse throttle, Stephen.’
‘Roger.’
The runway was too far left. The ground reared up like a snake
poised for attack, wondering if it would allow the pathetic little white mouse
to touch it before it struck. A heaviness caught Richard unawares, his grip faltering.
‘Landing gear, sir?’
Of course, bloody
landing gear. He nodded drowsily, hoping his FO’s frightened, intense
staring at the senior pilot-in-command was paying off.
Concussion - another failure. The 34L loomed slightly off
centre as he slumped heavily. The rain drummed on the metal casing of the
flight deck, hollow like the cavity in his chest…low…quieting…darkening…
‘SIR…’ The first officer’s protest fizzled out with the last
lights in the cabin.
Richard’s hands slipped from the yoke.
To sleep, perchance to
dream.
***
Flight 8122 smashed into the tarmac, but Richard Finn was
already senseless in the darkness. The gentle smattering applause of a
drizzling rain resounded in the emptiness, trailing after the last spindles of
that instant. The wind was still.
~OvO~
Author's Note: 831 words. I wrote for 50 minutes, sorry! I have been damned waiting to write about planes! A lot of this is probably wrong though, in terms of emergency procedures, plane malfunctions etc. At first, I had about 300 words written like a disaster movie, and then I remembered it had to relate to belonging hahaha that's why it's sort of terrible.
Definitions & technical terms:
- Epaulettes for pilots are stripes that you wear on your uniform to show what qualifications/rank you hold - four stripes is Captain. I hope that explains a lot, Maggie.
- Altimeters measure the altitude of the plane.
- ATC is Air Traffic Control, it's the dude that sits in the cool towers at the airport and direct planes, give permission for landing etc.
- Carburettor - I think our engineers might know what this is? :) It determines the amount of fuel drawn into the airstream based on speed and pressure of airflow. For engines. I think.
- A318 - the smallest member of the Airbus family. I was so proud to have remembered this random fact, but I checked it up just in case.
- Airbus is a big airline company, like Boeing.
- Yoke is the new modern term for joystick basically.
- A crosswind is any wind that has a perpendicular component to the line or direction of travel. In aviation, a crosswind is the component of wind that is blowing across the runway making landings and take-offs more difficult than if the wind were blowing straight down the runway. (copied from Wikipedia)
- Hydraulics control the plane. Engineers, take over for me for this one.
- Anti-icing is basically that; it anti-ices. It's this liquid that's put on the plane to prevent it from icing over - different to de-icing which is used to get rid of ice.
- Flaps 30, full reverse throttle - Creative licence. I sort of stole this from a book about Qantas' failures, and I'm definitely not sure if I'm using it right. It's a type of prep for landing.
- FO is First Officer
- 34L is one of the main runways (the East-West) at Charles Kingsford Smith airport - not sure if it would actually be used for emergency Airbus landings... creative licence!
If anyone's curious about the intertextual references or just plain fandom references in this story (which I doubt is any of you at all), I'll put them up on the Alicia page.
Please criticise my story. No one's been criticising my stories lately. :(
I am so sorry!! I have been an idiot and haven't been keeping my word - I really really promise I will go and comment on everyone's posts! I'll try and do that by the end of the holidays ...
ReplyDelete... I can't criticise your work! It's always so well written, only someone who can write better than you can actually point stuff out that you need to improve!
ReplyDeleteWhat about I say something I like about your writing?
I've noticed this since your first post - what I feel really captivates me in your writing is your unique employment of synaesthesia. To me this is what distinguishes your writing from the rest of ours (not to mention your vocab which is probably ten times mine). Your ability to use it flawlessly without disrupting the rhythm of your creative as in 'echoing flash of lightning' demonstrates your literary prowess as you captivate your audience's full sensory participation in your creative. Furthermore you are able to adeptly exploit this sensory mismatch, augmenting to the atmosphere you attempt to create by communicating otherwise lost nuances; for example the fusion of the olfactory sense with memory in 'smelt the memory' constructs an illusive quality about Richard's recollection - he does not SEE the memory, rather there is an implicit lack of vision which further emphasises Richard's internal disarray. Similarly, the introduction of sight, what many perceive as the forerunner of the sensory hierarchy, in 'A faint green echo shone in the blackness' despite Richard's physical inability to see suggests an unprecedented transcendence beyond the 'prison' erected within himself, and thus instigating hope in the reader. The audience's suspicions are confirmed as Richard's affirmative 'I have control, Stephen' cements it as a pivotal moment within your creative. Thus I believe that, along with your expansive vocabulary which I have *conveniently* forgotten from this paragraph, it is your effective manipulation of synaesthesia which gives your writing your personal 'edge' - the alicia-ness of your work :)
Haha, awkward use of first person and second person in an attempt of an analysis. Sorry if I just totally misinterpreted everything you wrote, but this is actually true - I'm not just making up an argument for analysis' sake - I genuinely have picked up on your skill since reading your first creative!
Also I guess a suitable time for an attempt at a personal reading as well haha :P I picked up on a lot of typos and grammatical errors as I typed so I suspect there are quite a few still there. I'm sleepy and my eyes are 'fluctuating in and out of focus' :P Good night!! ~~
I think this is an excellent time to point out YOUR literary prowess in analytical progression and extensive vocabulary. I just read "synaesthesia" and opened a New Tab to Google the definition.
DeleteGosh. I'm actually just blown away by your comment paragraph, especially in moments such as "what many perceive as the forerunner of the sensory hierarchy".
Stop me before I start analysing your comment!